Anna Seward (12 December 1742oldOften wrongly given as 1747.25 March 1809) was an English Romantic poetry, often called the Swan of Lichfield. She benefited from her father's progressive views on female education.
In 1749, Anna's father was appointed a Canon-Residentiary at Lichfield Cathedral. The family moved there, where her father educated her at home. In 1754 they moved into the Bishop's Palace in Cathedral Close. When a family friend, Mrs Edward Sneyd, died in 1756, the Sewards took in one of her daughters, Honora Sneyd, who became an adopted foster sister to Anna. Honora was nine years younger. Anna Seward described in a poem, The Anniversary (1769), how she and her sister first met Honora on returning from a walk. Sarah (known as Sally) died suddenly of typhus at the age of 19 in 1764. She was said to have an admirable character, though less talented than her sister. Anna consoled herself with affection for Honora Sneyd, as she describes in Visions, written a few days after her sister's death. There she expresses a hope that Honora ("this transplanted flower") would replace her sister (referred to as Alinda) in her and her parents' affections.Scott chose to open his collection of Seward's poetry with this poem.
Anna Seward cared for her father in the last ten years of his life, after he had suffered a stroke. When he died in 1790, he left her financially independent with an income of £400 per annum. She continued to dwell at the Bishop's Palace until she died in 1809.
Her gift for writing was clear at the age of seven, when the family moved to Lichfield. The family home in the Bishop's Palace became the centre of a literary circle that included Erasmus Darwin, Samuel Johnson and James Boswell, where Anna was encouraged to join in, as she later relates."Being canon of this cathedral, his daughter necessarily converses on terms of equality with the proudest inhabitants of our little city." Canon Seward's (if not his wife's) attitudes to educating girls was progressive for the time, but not excessively so. He was a poet himself, yet tried to curb Anna's passion for poetry, although she chose the composition of it for her own studies. Among the subjects he taught were theology and numeracy, how to read and appreciate poetry, and how to write and recite it, although these deviated from the conventional drawing-room accomplishments of the time. The omissions were also notable, including languages and science, although the girls could pursue them alone if they felt inclined. Nor was Anna unskilled in domestic matters.
Among many literary figures Anna Seward conversed with was Sir Walter Scott, who later published her poetry posthumously. Also in her circle were the writers Thomas Day, Francis Noel Clarke Mundy, Sir Brooke Boothby, Willie Newton (the Peak Minstrel) and Mary Martha Sherwood. She came to be seen as heading a coterie of regional poets, influenced by writers such as Thomas Whalley, William Hayley, Robert Southey, Helen Maria Williams, Hannah More and the Ladies of Llangollen. She was also involved in the Lunar Society in Birmingham, which would sometimes meet at their home. Both Darwin and Day belonged. Seward corresponded with other members such as Josiah Wedgwood and Richard Lovell Edgeworth.
Between 1775 and 1781, Seward was a guest and participant at a much-mocked salon held by Anna Miller at Batheaston, near Bath. However, it was there that Seward's talent was recognised. Her work appeared in the yearbook of poems from the gatherings, a debt that Seward acknowledged in "Poem to the Memory of Lady Miller" (1782).
Much of the literature on Seward's relations focuses on her childhood friend Honora Sneyd: sonnets reveal her passion for her when they were together and her despair when Sneyd married Richard Edgeworth. Compared with the correspondence, her sonnets display more intense emotion, such as Sonnet 10 ("Honora, shou'd that cruel time arrive"), which describes feelings of betrayal. When the Edgeworths moved to Ireland, despair turned to anger, as in Sonnet 14 ("Ingratitude, how deadly is thy smart").
Her verses, which date from at least 1759, include elegy and , and a verse-novel, Louisa (1784), of which five editions were published. However, she did not publish her first poem until 1780, at the age of 38. Seward's many letters and other writings have been called "commonplace". Horace Walpole said she had "no imagination, no novelty", but she was praised by Mary Scott, who had written admiringly of her father's attitude to female education.
Several poems, particularly Lichfield ones, concern her friend and adopted sister Honora Sneyd, in a tradition described as "female friendship poetry". Seward struck a middle path in a period when women had to tread carefully. Her work could also be arch and teasing, as in her poem Portrait of Miss Levett, on a Lichfield beauty later married to Rev. Richard Levett. She contributed to Boswell's Life of Samuel Johnson (1791), but was less than happy with Boswell's treatment of her material. Her work circulated widely.
Authorship has been a continuing problem in assessing her work. She was known to suggest others had used her work as their own: "a charge of plagiarism must rest somewhere."
"I had heard it was not fit for the female eye. It can only be unfit for the perusal of such females as still believe the legend of their nursery that children are dug out of a parsley-bed; who have never been at church, or looked into a Bible, – and are totally ignorant that in the present state of the world, two sexes are necessary to the production of animals."Seward defends Erasmus Darwin against attacks on his Temple of Nature (1803) as indecent.
This caution prevailed through most of the 19th century, typically from writers such as Richard Polwhele, in his poem The Unsex'd Females (1798), although she escaped his personal criticism, being considered to have a proper attitude.
There is a plaque to Anna Seward (spelt Ann) in Lichfield Cathedral by the entrance; Anne herself is buried underneath the choir stalls. The epitaph was written by her friend Walter Scott.See extracts from Seward's will in The Lady's Monthly Museum Seward appears as a character in the novel The Ladies by Doris Grumbach (1984).
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